Of Process and Paper
I was already thinking about the fascinating special I saw on Nova the other week concerning the lost manuscript of the Greek mathematician Archimedes when I started reading this article on Quentin Terantino in which he describes his process of writing the screenplay for Kill Bill.
I know it’s all bullshit, but it’s the way I started doing it, so that becomes the way. My rituals are that I don’t use a typewriter or a computer. I write by hand, and what I’ll do — it’s a ceremony, actually — I go to a stationery store and I buy a notebook. Then, I’ll buy a bunch of red and black felt pens. And I’m like, ‘These are the pens that I’m going to write Kill Bill with!’ When that happens, then it’s just me taking that fuckin’ notebook everywhere.
Despite our techno-digital age, I believe the manifestation of creative brilliance and simple, lo-tech paper (in the form of manuscripts, notebooks, sketchbooks, etc.) have maintained a consistent relationship for thousands of years.
Paper, it seems, is still where it’s at.



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