
I can’t say I blame this Christian culture watcher for wanting to co-opt the meaning behind the popular television series Lost. Having just watched the entire first season on DVD (we’re about, oh, eight months and a few diapers behind the rest of the country here at the Schindler residence), I have to admit, it’s probably one of the best shows in TV history. And incidentally that sound you hear is my wife and I literally stoking with anticipation for season two. So if you’re watching this season and have already come across some of the island’s best kept secrets, keep them to yourself please.
Lost has to be one of the most spirituality concentrated shows I’ve ever seen. But you don’t have to go more than three episodes into the first season to realize that there’s far more underneath it then the well-known traditions of Judeo-Christianity. Clearly, the writers wanted to present a microcosm of philosophical ideas and allegorical characters, not simply retell theological trivia from the world’s largest cult. And what better place to do so then on an island with some 40-odd survivors of a continental plane crash? There are obvious biblical references, the significance of the aforementioned number chief among them, and I know them all pretty well. But the trace elements of Islam, Paganism, Hinduism, Buddhism, and even Voodoo cannot be denied. Mix in some humanistic character development with a twist of sci-fi flavored suspense, and those mystical forces truly give the show a depth which I don’t think has ever been explored on modern television.
I’m reminded how some people similarly tried (and still try) to shoe horn Christian subtexts into another successful piece of pop culture—The Matrix. Of course, that assessment was way off base too, as the Wachowski brothers were really just interested in using Baudrillard’s version of Postmodernism (misapplied as it may have been), among some other philosophical notions, in order to tell a story that just happened to have a savior character as its main star. And much like the show Lost, that movie made a concerted effort to cast out a fairly large cultural net. From elements of Tao to reincarnation, The Matrix opened up a dialogue about multiculturalism and religion that I think most failed to see, or at least as much as I can tell, give due credit.
And so it appears to be with Lost.
This isn’t really a shame to me, as I know there can be a lifetime or two between the signifier and the signified, and I can’t say I blame anyone for trying to find a more relevant meaning to any type of art, but I do find that kind of behavior curious. As certain groups begin mounting yet another backlash against Hollywood, I wonder if they’ll stop to reconsider.
Because in my mind there’s not less spirituality going on in the cultural consciousness. There’s a whole lot more. And it’s far more broad and intelligent than it ever was. I wonder, though, if that may be proving to be a little too much soul for some people to take.